Showing posts with label December 27. Show all posts
Showing posts with label December 27. Show all posts

Sunday, December 29, 2013

The 57 Best Albums for 2013 [Part 3]

35. King Khan and the Shrines – Idle No More


King Khan has been pumping out epic psychedelic rock for years. Known mostly for his stage antics (see: naked) and live performance, Idle No More proves that Khan and his Shrines are a band to be respected. Employing horns, strings, and any percussion instrument lying around the studio, Khan’s latest album is one that you can put on in the background of any party and be assured of a good time.





34. Minor Alps – Get There


Matthew Caws (of Nada Surf fame) and Juliana Hatfield (badass in her own right) joined forces to create Minor Alps. The upbeat electronic sounds melding together with acoustic guitars serve as a great platform for vocal harmonies. The voices are clearly what carry this album, adding credence to the idea that sometimes it’s a great idea to combine two talented musicians, throw them in a studio, and don’t let them out until they have an album done. 57 Best Albums for 2013!





33. Cave Singers – Naomi


The Cave Singers have taken repetitive, riff-driven songs to another level. Not happy with the amount of noise the trio was creating, the band added former Fleet Foxes bassist Morgan Henderson into the mix and it paid off big time with Naomi. The album follows the familiar Cave Singers pattern of layering guitar riffs on top of driving beats. However, with Naomi, the band lets the bass out for a walk, bringing a fuller sound to the album.





32. Little Green Cars - Absolute Zero


Nothing says folk quite like Ireland. Little Green Cars broke into the States this year, making quite the buzz down at SXSW and showing up on my radar after a rousing performance at DC9. The thing that surprised me the most about this album was that beyond the beautiful vocal harmonies, and the standard folk band piano riffs, is a band that actually rocks.





31. Mason Jennings – Always Been


Mason Jennings has always made high quality folk-pop music. The Hawaiian born Jennings does not disappoint with Always Been. Not quite a surf-rock album, Jennings incorporates southern elements to his sound that keep his this effort slightly more upbeat than previous offerings.





30. Preservation Hall Jazz Band – That’s It!


Jim James is a prophet sent onto earth to coax the best performances out of talented musicians. At the urging of the My Morning Jacket front man, Preservation Hall Jazz Band created their first original album ever. The album does not betray the New Orleans roots Preservation Hall have so deservedly come to represent. Ben Jaffe and crew should make more albums.





29. Queens of Stone Age – Like Clockwork


Your drummer leaves your band mid studio session. What do you do? If you’re Josh Homme of Queens of the Stone Age, you address the tumultuous time by writing the best album of your bands career. Like Clockwork is the album that finally captured the raucous energy QOTSA bring to their live shows. In prior efforts, one or two songs stood out as conveying the raw power of Homme and his band. On Like Clockwork, you cannot escape the intensity and uncertainty facing the bandmates in this new era, and that is a great thing.





28. Cayucas – Bigfoot


It is impossible to listen to Bigfoot and not find yourself smiling. The Santa Monica band ooze laid back surf-rock vibes in their debut album (the band used to be called Oregon Bike Trails so let’s count this as a debut). Cayucas mix influences throughout their 7-song album but is very clear when tuning in that lead singer Zach Yudin really likes Beck (really really likes Beck).





27. Okkervil River – Silver Gymnasium


Okkervil River and lead singer Will Sheff have cracked the code. Silver Gymnasium is full from start to finish. To clarify, after years of touring and several critically acclaimed studio efforts, the band has figured out how to fill every ounce of their original compositions with warm sound. Sheff wrote this album about his childhood and the subject matter seems to have inspired some of the most introspective writing from the group thus far.





26. The Lonely Forest – Adding up the Wasted Hours


Call it a step forward. Call it seasoning from being out on the road. Call it a different sound. But don’t call the new album from Bellingham Washington’s The Lonely Forest emo. John Van Deusen does have a voice once best suited for late 90’s pop-punk. And yet, he has figured out a way throughout the years to write biting lyrics layered on top of strong drums. In spite of his own vocal category (honestly, when you hear his voice you immediately think of bands like New Found Glory), Van Deusen helms a band that can be both introspective and rocking at the same time.





25. Arctic Monkeys – AM


AM is one of the strongest rock albums to come out of the UK since Ozzy Osborne was able to remember his own name. Alex Turner delivers once again but this time without any shame in turning the knob well passed 11. I am regularly surprised at the Monkeys’ ability to grow their sound and still produce albums that sound distinctly like them. Also, any album that contains a southern rock ballad titled “No. 1 Party Anthem” has to be pretty fun.





24. The Head and the Heart – Let’s Be Still


I could not wait for THATH to finish this sophomore album. It pained me to hear the amazing single “shake” and not have any other tidbits from the newest studio efforts. I must admit that I simply love THATH. That said, this album is an improvement from the band but not one big enough to warrant placing them in the top 20. The band does a better job capturing their live sound and pumping energy into their piano driven folk-pop. However, they still can’t seem to write songs about happier subjects. If anything, THATH are experts at writing the cheeriest sounding songs about the most depressing subjects possible. Quite the skill indeed.





23. Sin Fang – Flowers


Sin Fang is from Iceland and led by musical genius Sindri. The album Flowers is a good mix of electronic/atmosphere based songs and guitar led jams. There is something about the album that I find hard to put my finger on exactly. Really, I think that as a whole Flowers is one of those albums that takes you to another place, takes you away from whatever is worrying you here at home.





22. Volcano Choir – Repave


Volcano Choir are a top notch side project for Bon Iver frontman Justin Vernon. Full disclosure I really do not find Bon Iver that entertaining. That said, Volcano Choir’s second offering (and first since 2005) is a great leap forward for the band. The eight tracks on the album explore how far the ambient sound movement has progressed in the indie scene.





21. Born Ruffians – Birthmarks


I first stumbled onto the Born Ruffians at 38,000 feet above the ground. Spotify thought I would enjoy their album. Spotify could not have been more right. The first lyric of the song Needle starts “I belong to no one, like the watermelon rolling with momentum, spitting out its seeds. Buried under snow and waiting just to show us how it grows and knows how yummy it will be. I belong to no one, a song without an album, long forgotten maxim spoken to the sea.” I was hooked. I listened to this album on repeat over the 5-hour flight from Seattle to D.C. Each song circles on the theme of searching. For such a young band, Born Ruffians display a depth of lyrics and sound that I found almost unrivaled by peers in the indie scene.





20. Jim James – Regions of Light and Sound


As mentioned previously on this countdown, Jim James is a prophet sent down from another world to bring great music to the masses. On his first solo effort, James is just as weird as you expected. The song A.E.I.O.U. builds with such an ominous piano riff that by the time the chorus has hit its full sprint at the 5 minute mark, you cannot help but feel the excitement in James’ voice. A very different vibe than any of the My Morning Jacket albums, Regions of Light and Sound delights anyone looking to get just a little weird.



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Friday, December 27, 2013

The 57 Best Albums for 2013 [Part 4]

19. Caitlin Rose – The Stand In


2013 was a huge year for the Nashville music scene. It seemed that every artist I fell in love with this year hailed from the Tennessee scene. Caitlin Rose was born to be a singer-songwriter. Her family claims a Mom who won a Grammy for songwriting and a Dad who sells and markets for the country music industry. With The Stand In, Rose emphatically takes her place atop the list of powerful voices spilling out of Nashville. Her album is a perfect marriage between country and rock music. She tells stories like an old cowboy crooner and yet her sound has a modern flair.





18. Ravenna Woods – The Jackals


The Jackals is the darkest album of 2013. I note that as a warning because the thing is, it may be one of the most beautiful albums of 2013 as well. Known for their acoustic-guitar rock, Ravenna Woods return with another gem. The album is both spooky and beautiful, like walking through an abandoned building at dawn. The lyrics from the Cunningham brothers are biting on tracks like “live alone” when they harmonize, “lock your doors because there’s something terrible happening. As long as it’s a well-fixed game, as long as they can see my face, then I won’t lose any sleep. Just live alone. And lock your doors.”




17. San Fermin – San Fermin


San Fermin is music adventure. Ellis Ludwig-Leone is a classically trained pianist who headed up the project. Obviously he is from Brooklyn and employed two of his favorite voices (the ladies of Lucius) to help add vocal strength to the album. There is no set lead singer and the voices intertwine alongside orchestral arrangements on every track. The result is an album that evokes all different kinds of emotions. Along the ride, you find yourself uplifted, depressed, angry, and finally hopeful that you may be able to find love.





16. Houndmouth – From the Hills Below the City


From the way it sounds, the musicians in Houndmouth have been getting into some serious trouble. The southern folk-rock inspired album, From the Hills Below the City, speaks about getting pinched for selling drugs, losing boatloads of money at a casino, and getting lost out on the road. Houndmouth openly admit to The Band being one of their biggest influences. It clearly shows on this strong debut.





15. Typhoon – White Lighter


Some artists craft albums like it is their profession, making creative tweaks along the way to create an inspiring final product. Typhoons’ Kyle Morton made this album with the mindset that his life depended on it. Morton, the enigmatic lead singer of the 12-person Typhoon admitted in multiple interviews that the theme of dying runs through White Lighter because he truly believed he would be dead shortly after its release. A survivor of severe kidney failure at a young age, Morton’s own experience with adolescence, and a body that rejected him, rings through on this sophomore album. Any artist facing mortality can be depressing for a listener, and yet in the case of Morton who sings “I was born in September and if I die today just know I don’t regret you some things I can explain (like) it’s a slow descent, it’s a lifeless place, every god damned day,” you are left pondering what your own life would be like if you had seen the light at the end of the tunnel and escaped it to keep living.





14. Charles Bradley – Victim of Love


The world had to wait 63 years for Charles Bradley’s debut album. Thankfully we only had to wait a little over a year and half for his follow up, Victim of Love. Having cleared his conscience of most of his built up pain and sorrow, Bradley sings a much more hopeful tune this go-around. He nails the 1970’s soul sound and builds upon it with a combination of blues and psychedelic influences. I am already anxious for his next one.





13. Lone Bellow – Lone Bellow


One of the breakthrough artists of 2013 has to definitively be Lone Bellow. The band is a delight live, combining simple folk riffs with three seriously powerful voices. On the strength of their debut album, the band finished the year on their first headlining tour to sell out venues across the nation. Their album is fresh and filled with strong emotional tales of love and commitment in the face of looming death. Now that the band has had a phenomenal year of success on the road, I can only expect great strides on the sophomore effort.





12. Pickwick – Can’t Talk Medicine


FINALLY the boys in Pickwick got together and gave the people what they wanted – a full length album! After releasing a few EP’s and scrapping a few albums altogether, Pickwick found what they were looking for in Can’t Talk Medicine. The high energy Seattle band combines soul-infused riffs with plenty of tambourines and the booming voice of lead singer Galen Diston. This album was very high in my rotation for the year, only falling out of the mix when I realized that Pickwick have so much more music they are already eager to release in 2014!





11. Deertick – Negativity


John McCauley got sober-ish in 2013 (crack is whack!) and the result was Negativity, the most complete offering from Deer Tick to date. McCauley’s raspy voice still captivates as it once did but now he sings out about his parent’s failures, his own failed engagement, and staying positive in light of challenges. It’s a marked change from the last album, recorded just after McCauley’s failed engagement which featured a song repeatedly singing “let’s all go to the bar.” The album also sees the band spreading songwriting duties around the stage. Guitarist Ian O’Neill wrote the track “Dreams in the Ditch,” ultimately chosen as the first single.



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Mentor You – #18

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