Showing posts with label December 20. Show all posts
Showing posts with label December 20. Show all posts

Saturday, December 22, 2012

The Wheeler Brothers at Hamilton Live

As I entered The Hamilton Live to see The Wheeler Brothers, I came to the event with an open heart and mind unfamiliar with the band. Doing research using various web tools prior to the show I learned that this five-piece quintet consisting of three brothers (Nolan, Danny, and Tyler Wheeler) and two friends (Danny Matthews and A.J. Molyneauex) from Austin, Texas have been playing together since high school. Their musical vision consists of an eclectic mixture of Country and Rock & roll. Their songs tell stories of life’s lessons where they use a multitude of instruments that range from a lap steel to a xylophone. As I left the venue after the show I came to this conclusion: The Wheeler Brothers is one song away from a musical breakthrough, but I am not sure their newest tracks will afford them such success.


As a former performer, I am cognizant of the fact that there are a multitude of factors that go into performing live sets, but song selection and placement proves to be the foundation of each gig. The anticipation of the first song cannot be stressed more when setting the pace of the entire gig. Unfortunately, The Wheeler Brothers first song provided a flat start and it wasn’t until the drums kicked in that the crowd got into it. The next piece didn’t do the group much justice as the drums this time actually drowned out the rest of the instruments. It wasn’t until their third number that the band started to find their stride, but this sentiment was short-lived as their next song, “Heather”, brought me back into a state of confusion. This roller coaster continued throughout the show where the very moment I wanted to get up and dance I became floored by the next piece. All in all, the fluidity of the set provided mixed emotions.


The musical execution does suggest The Wheeler Brothers are extremely talented and are well trained in their respective instruments. One thing that was very obvious was that one could tell which songs were new and which were older based on their stage presence and confidence. While the newer drew mixed emotions, positive vibes were unanimous with the older hits that brought them much success. With the clever use of the xylophone and the child-like manner of the tempo, “Ghost in the Valley” pleasantly provided me an image of going to the circus. “Home for the Holidays” was by far their most impressive song in my ears as well as eyes. The fact that the group seamlessly knocked this out of the park wasn’t what struck an emotional chord for me. The fact that the group’s stage presence escalated gave the suggestion that they knew they were in the zone and that was what had me convinced they have what it takes to make it to the next level. The perfect blend of instruments and vocals created a melody that took me out of the bustling city and into the comfortable suburbs of the lone star state where the only lights that come on are on Friday night (i.e.. high school football). As a huge Redskins fan, such an emotionally sentimental voyage had definitely been a venerable accomplishment and I give strong praise to The Wheeler Brothers on this piece.


There is no denying the talent of The Wheeler Brothers. They have the ability to play multiple instruments effectively and they bring a unique vibe with their mix of a number of musical genres. If they can find more direction and hone in on their newer pieces to provide the same rocked-out energy of their older pieces, then the sky is the limit. I have the upmost confidence that they will definitely flourish, and I do look forward to hearing more from The Wheeler

Brothers.


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Thursday, December 20, 2012

Special Photo of the Week – Senator Inouye lies in state in the Capitol Rotunda

Actual and Really Dumb Laws on the Books

So, Tybee Island is a small barrier island off the coast of Georgia that is about 20 min from my front door. To my surprise my local newspaper ran a headline yesterday that read, “ Tybee Island legalizes drinking on beach, sidewalks” Wait, what? As I recall the first time I ever went to that beach I had a few drinks as I took in some rays. In fact the last time I was there I also had some drinks. Come to think of it EVERYTIME I went there I had some drinks. Heck, I have had drinks on that beach with fellow Cloture Clubbers. I just always thought it was legal to drink on my beach. I wasn’t the only one who thought that. The City of Tybee Island admitted that it never enforced the law and that it was finally time to just do away with it. That got me thinking, what laws are out there that need to be taken off the books. I really am sticking to just state and local laws. I mean you readers are the ones who write Federal law so you already know what’s on those books (and by you I mean staffer, lobbyists, trade associations, oh yea and sometimes elected officials).


If a reader out there knows any of these to be blatantly wrong please tell us in the comments but you must replace the wrong law with a crazy law! So here’s a list some really dumb laws that are actually crazy, great and just plain sad.






In Athens-Clarke, GA if you want to read a book to folks in public it is illegal to do so after 2:45AM. Keep in mind that the University of Georgia is in this city. So yes the city where the state’s largest public institution of education is has banned publicly reading books. Source: Stupidlaws.com.




South Carolina, Oh Sweet Caroline, in 1976 you made it illegal for anyone under the age of 18 to play a pinball machine. I really don’t have to say anything snarky here. I mean its South Carolina.




Missouri, apparently someone there read Water for Elephants because it is illegal in the City Of Natchez to provide beer or other intoxicants to elephants. Source: Crazy-Laws.com




Those crazy campers in the Slim Jim commercials better watch out. The State of Washington has the Undiscovered Species Protection Act which covers “Bigfoot, Sasquatch, an ape-like creature or a subspecies of Homo Sapiens.” from any type of harassment. Source: alternativeprime.hubpages.com




St. Patrick’s day just got a whole lot easier for cab drivers in Chicago. There is a new law in Illinois that makes it a $50 fine for puking in a taxi. Chicagoist.com


These are just a few. There are tons of crazy laws still on the books. If any of you are looking for a great project try getting some of these erased.


The post Actual and Really Dumb Laws on the Books appeared first on ClotureClub.com.


DC Ska Legends, The Pietasters, Release “Oolooloo” on Vinyl

Fans, bands and musicians from all around Washington gathered last Tuesday night at The Pug on H Street to celebrate the vinyl release of The Pietasters’ 1995 hit CD “Oolooloo” and raise money to support the family of a local musician.


“It was fun to play one of their great albums on vinyl,” says Tony T., proprietor of The Pug, an iconic DC watering hole that boasts an impressive collection of ska and punk album covers on its walls and often plays ska music. Oolooloo includes The Pietasters’ biggest hit “Maggie Mae,” a touching ode to a local waitress who “pours our beer and cleans our mess,” one of many songs on the album that uses DC as a backdrop.


The Pug event also raised money to help the family of DC hardcore band Iron Cross bassist Dmitri Medvedev to get his motorcycle out of insurance impound and returned to his family. Dmitri was killed in September while riding the motorcycle on Route 50 in Virginia.


"Tony T.of The Pug pours our beer and cleans our mess while Oolooloo spins"

“Tony T.of The Pug pours our beer and cleans our mess while Oolooloo spins”



The Pietasters are not strictly a ska band, having been tapped by the late James Brown to perform as the Godfather of Soul’s backing band. The soul feel of The Pietasters is evident on Oolooloo on songs such as “Can I Change My Mind,” which features the traditional ska guitar “skank” – a quick, clipped upstroke on the strings on the second and fourth beats – but also a long organ intro, soaring horns and powerful vocals that could be straight from a Motown record.


“We’re proud of the record,” says Stephen Jackson, lead singer and principal songwriter for The Pietasters since their 1990 debut. The long play vinyl version of Ooolooloo came about thanks to two record companies who created a Kickstarter fundraising campaign called the “3rd Wave Ska Preservation Society Vinyl Reissue Campaign.”


“It’s a great album and the cover looks awesome in the bigger format,” says Cameron Seip, trumpet player for local ska band Free Lobster Buffet. “We do a cover of “Freak Show’ and crowds love it. We could play any song from that album, they’re all fabulous.”


Stephen Jackson (left), lead singer of The Pietasters and Tony T. (right), proprietor of The Pug

Stephen Jackson (left), lead singer of The Pietasters and Tony T. (right), proprietor of The Pug



Keith Duncan is a typically devoted fan of The Pietasters. Duncan is a musician himself, playing trombone for The Shifters and is also the founder of BlueBeat DC through which he organizes monthly ska shows.


“True story: in 1995, my girlfriend told me I had to stop listening to Oolooloo because it was all I ever listened to in the car – so I dumped her,” says Duncan. “Listening to Oolooloo on record confirms my suspicion all along, that I made the right choice.”


The Pug’s Tony T. says the event was a “warm up” for a planned fundraiser at The Pug in March to benefit a scholarship fund set up in honor of original Pietasters bassist Todd Eckhardt who died in 2001. The funds raised at that event will benefit the Duke Ellington School for Performing Arts.


“At the end of the day it was a few Pug regulars helping out a few other Pug regulars,” says Tony T.


www.thepietasters.com | thepugdc.com







Ska music is more than just reggae played by a punk band. Ska began in 1960’s Jamaica as a melding of Jamaican calypso and American Motown. The style faded in popularity as ska musicians like Toots Hibbert and Bob Marley shifted to reggae in the early 1970′s.

A second wave of ska emerged in England in the late 1970′s and early 1980′s spawning The Specials, The English Beat and Bad Manners among others. This second wave was also called Two Tone ska after The Specials’ founder Jerry Dammers’ record label with its distinctive black and white checkered logo emphasizing the racial inclusiveness of the music. Two Tone ska also influenced many other bands of the day like The Clash who adopted ska elements in their music.


The third wave of ska music emerged in the early 1990′s largely in Southern California and enjoyed brief mainstream popularity with groups like Reel Big Fish, Goldfinger and No Doubt. Ska now enjoys “cult” status through die-hard fans, all of whom vacillate between denouncing the death of ska and claiming we are mere days from the apocryphal fourth wave.





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